When I Couldn’t Toot My Horn

She and her band of merry musicians were treated like royalty as they made their perennial trek from the hormone-ravaged halls of the junior high to the prepubescent kid-ranch called elementary school. Their quest was to excite jubilant throngs of students with a buffet of instrumentation upon which they would indulge their aural appetites. At the end of their feasting, each 5th grade student was to select an instrument they would begin learning the following year.

Curious and wonder-filled, I sampled the symphonic spectrum. From the trill of flutes to the blats of brass to syncopated percussion beats. How excited I was to end my conscription in piano purgatory and broaden my musical expression.

In the parade of valves and pads and sticks and slides, my heart found camaraderie with the brass section. Specifically, I was enthralled by circular turns of tubing and hand-muffled sounds. I was fascinated by the range of tones traversed with the simple repositioning of pursed lips. My imagination brought forth a scene in which I played my horn to summon the King’s hounds for a fox hunt. Yes! I had made my decision. I wanted to play the French Horn.

Alas, there was no horn tootin’ in my future. Instead, I would squawk sounds like angry water fowl with my mother’s clarinet.

The dictum of “no” to the French horn and “yes” to the clarinet has provided enduring perspective. I can grumble about the trajectory my orchestral career might have traversed had my lips trilled into a metal mouthpiece instead of sucking a reed. Such speculation is packed with presumption. Still, passions are powerful. They need tending in the mix of the “no’s” and “yes’s” that lie along the tentacled paths we wander. Paths that criss-cross and spread and tangle and stretch.

I ponder my path. Often. I search-out roads to personal fulfillment, service, success, and rest. And as my journey lengthens, I come to deeper understanding that my feet fall not just upon a happy trail of “yes”, but also “no” and “wait” and “yes…but.”

A recent collision with “no” revived the melodic memory of a French horn’s bellow. My story has a chapter with that unrealized dream. A yearning that drifted – for a time – in restlessness. And now my soul seeps a fresh grief.

So what do I do with my French Horn nixing and other encounters with “no”?

Day after day, I reaffirm human dignity, acknowledge fallibility, and hope for alternative paths to flourishing. I fight commiseration and plead for the humility to submit to the Father who soothes our hurt with a holy poultice of grace and forgiveness. Healing comes through a faith-filled “yes” to the Sovereign who makes rightful claim on every creature and every action.

In his memoir, Life is Mostly Edges, Calvin Miller offers this: “Letting go of any drive releases the soul, and those who can’t quit struggling in an attempt to realize their dreams will be the last to realize them.” (p.265) There is a delicate tension between the consuming drive for desire and a settled trust that we are walking a gracious and satisfying path. A path that includes “yes” and “no”. French horns and clarinets.

So, as we take another step into life this day, may we embody this perspective:


“The life that intends to be wholly obedient, wholly submissive, wholly listening, is astonishing in its completeness. Its joys are ravishing, its peace profound, its humility the deepest, its power world-shaking, its love enveloping, its simplicity that of a trusting child.” (Thomas R. Kelley, A Testament of Devotion, p.28)

Perfectly Scripted

For one hour each week, everyone in the room had to acknowledge my amazingness. For sixty minutes I lived in celebrity. Elevated and set apart from every other classmate. I was a fourth-grade prodigy. Not of math or music or English, but penmanship.

I was the King of Curves. The Sultan of Script. A veritable Michelangelo of the big fat pencil.

My mastery bought me exemption from those monotonous, mind-numbing exercises of tracing-out row upon row of alphabet soup. While my buddies toiled, their hands cramping from the perplexities of capital ‘Q’ and lower case ‘b’, I sat aloof. Distanced by my special skill, I contentedly surveyed the hoard of scribblers, peacefully counting the minutes until recess.

I remember those moments with satisfaction. An appropriate pride in something I could do well. I felt special, distinct, unique. And those feelings were legitimized through peer review and an authoritative declaration from Mr. Olthoff. I had achieved success!

Now here I sit, thirty-five years later, reliving tales from fourth grade that mean…nothing? The spotlight is gone. My calligraphic skill has atrophied. And the memory of my triumph lives only in the annals of my mind. But those elementary school experiences affect me still. Through those recollected scenes I interact with what’s true and good about me.

I’d like to dwell there.

But juxtaposed against my scripting finesse is a string of disappointments and embarrassments. Frustrations and regrets. Moments of remorse and shame. And a collection of caustic words that cling to me like hot tar.

Is there sense to be made of life’s dichotomy?

In his Institutes, John Calvin said, “…we are impelled by our miseries to reflect on the Lord’s good gifts, and we cannot sincerely yearn for him until we have first begun to cease being pleased with ourselves.”* I would enjoy walking around this day, acknowledged repeatedly for my neat handwriting. To hear from random strangers, “Hey! I’ve heard you can craft a sweet lower case ‘z’!” Instead, reality is a blend of good coffee and dirty diapers. Sunset walks and orthodontics. Birthday parties and chemotherapy.

Why? Because both grace and misery lead us to majesty.

Calvin reminds us that we were made to live for more than accomplishments or accolades. Certainly, it is right to celebrate beautiful handwriting. But such things should be not an end, but touch points that propel us higher, and farther, and deeper into our desire for God. After all, what’s pleasurable about my penmanship is sourced from Who is truly pleasurable. And through enjoyment of Him and his generous gifting we learn to love Him. To trust Him. To give back to Him as we persevere through frustration and sickness, discouragement and tragedy, name-calling and lies.

I’ve never learned so much by not doing schoolwork. Don’t tell my kids…


*John Calvin, Institutes of the Christian Religion, translation by Robert White, p.1

The Crying Man

Graveside.

He’s standing there now. A woman sits crouched at his feet, shaking with sobs. The grave has engulfed her brother, who was precious to her.

Slumped on His shoulder is another woman. Sister to the first, her fingers ebb and flow with constriction upon His shoulder, syncing with erratic bursts of breath that flirt with His neck. His body gently resonates with her waves of sorrow. The woman’s ever-freshening tears have darkened the front of his cloak, bringing a poignant unity between them.

He finds his emotions building as cries from black-clothed mourners continuously loop their cacophonous wail. Closing His eyes, scenes flash across his mind with rapidity – the dead man, these sisters, shared meals, raucous laughter, late-night conversations, confrontations.

His eyes begin to burn as they prime a flow of salty grief. His mouth is dry but he reflexively swallows. Plagued with emotional tightness, His throat resists. Thorns and thistles. Life and death. This is the curse.

Gone is Lazarus.

The man, Jesus, weeps.

A tear pushes through the dust of Palestine that lightly coats His cheek. A second tear chases the first and nestles in His beard. His chest undulates with erratic heaves as He tries to dampen the outburst of grief welling inside. The woman at his shoulder shifts her arms to hold Him, briefly suspending her grief to offer comfort. He loved her brother. Great friends. Death has robbed their joy.

Jesus fully enters this interlude of grief. On His heart rests mankind’s dilemma and the burden of loss. He embraces the deep soul sorrow of separation through death. He doesn’t rescue by cueing the next scene. Instead, He stands there.

Crying.

Unashamed. Feeling the pain of life in His humanity.

Through His tears, Jesus offered uniquely human streams of compassion for his friends. Streams of anguish for our cursed humanity. Streams of love that foreshadow another flow.

Jesus is not above our pain. He is the answer to it.

Read the whole story in John 11.