Redline

redline
I didn’t make a resolution at the new year, but my impromptu January commitment is holding strong. Sure, it’s just the end of February but isn’t life more the myriad of small wins than a few championships?

What I’m staking victorious claim to is two months (so far) of regular exercise. Granted, putting club membership money on the line has been good motivation. Even so, I’m beginning to reap the first fruit from a disciplined care of my aging flesh and bone.

As part of my workouts, I’ve assimilated to the exercising hoard by stuffing ear buds into my auditory canal. It seems relational isolation is required for physical fitness. I’ve capitalized on this fascinating dynamic by listening to podcasts of all types. While listening last week, I nearly stumbled in full rotation on the elliptical (if that’s even possible) when I heard this statement: “It’s not what you do that burns you out; it’s what you don’t do.” (Christine Caine, founder of the A21 campaign and Propel Women)

What? Do more to not feel like I’m doing too much? How contrary. How surprising. How paradoxical. How…true?

My thoughts plunged deep with introspection. I hardly heard another pod-casted word.

I’m typically a steady worker with decent energy. A fast-paced plodder, you might say. But for a while now, I’ve wondered if I was beginning to redline.

My passion lacked sparkle. Desire was AWOL. Energy was down to the dregs. It seemed burnout was nipping at my heels.

My self-help response was to apply new techniques. Re-structure my work and home life with a fresh system of time management. Same stuff in a better way — surely that will fix things. And for good measure, I’ll add more personal pep talks, reduce carbs in the diet, and exercise. After all, I was doing good things and being productive. Surely my “possible” burnout was because I’m not doing things the right way. Just tighten the belt and suck it up. You can do this!

Yet, I can’t escape that statement from Ms. Caine.

Might she be right? Could my feeling of frantic tiredness stem not from doing too much in wrong ways but from not doing the right things? It’s hard to imagine adding anything, but maybe what’s missing will enliven my living? What must I do so I can do all that I should be doing?

Thomas Merton said, “Your life is shaped by the end you live for. You are made in the image of what you desire.” (Thoughts in Solitude, p.49) Hmmm. What is the shape of my life? In this moment, where am I headed? For what purpose did I rise this morning? My thoughts, words, attitudes, and actions are shaping me into…what? My answers craft the curbs which bound my do’s, and don’t do’s, and must do’s.

I can’t self-manage to stay below the redline. None of us can. There’s no prescription for “doing life.” But, as a Christ follower what I must do is center my desire on being conformed to His image. That purpose will shape my affections and wisely guide me with deciding what stays, what goes, and what get’s added in the day-to-day. In that, there is freedom — and rest.

How about you? What’s the end toward which you’re living? What are your shaping influences? Does joy string your activities together, or do you go from here to there thinking, “glad that’s over.”

Our lives should be full, but not frantic. Spend this day pondering the privilege of life and the Person who gives it. Then get busy enjoying Him in every purposeful moment.

When I Couldn’t Toot My Horn

She and her band of merry musicians were treated like royalty as they made their perennial trek from the hormone-ravaged halls of the junior high to the prepubescent kid-ranch called elementary school. Their quest was to excite jubilant throngs of students with a buffet of instrumentation upon which they would indulge their aural appetites. At the end of their feasting, each 5th grade student was to select an instrument they would begin learning the following year.

Curious and wonder-filled, I sampled the symphonic spectrum. From the trill of flutes to the blats of brass to syncopated percussion beats. How excited I was to end my conscription in piano purgatory and broaden my musical expression.

In the parade of valves and pads and sticks and slides, my heart found camaraderie with the brass section. Specifically, I was enthralled by circular turns of tubing and hand-muffled sounds. I was fascinated by the range of tones traversed with the simple repositioning of pursed lips. My imagination brought forth a scene in which I played my horn to summon the King’s hounds for a fox hunt. Yes! I had made my decision. I wanted to play the French Horn.

Alas, there was no horn tootin’ in my future. Instead, I would squawk sounds like angry water fowl with my mother’s clarinet.

The dictum of “no” to the French horn and “yes” to the clarinet has provided enduring perspective. I can grumble about the trajectory my orchestral career might have traversed had my lips trilled into a metal mouthpiece instead of sucking a reed. Such speculation is packed with presumption. Still, passions are powerful. They need tending in the mix of the “no’s” and “yes’s” that lie along the tentacled paths we wander. Paths that criss-cross and spread and tangle and stretch.

I ponder my path. Often. I search-out roads to personal fulfillment, service, success, and rest. And as my journey lengthens, I come to deeper understanding that my feet fall not just upon a happy trail of “yes”, but also “no” and “wait” and “yes…but.”

A recent collision with “no” revived the melodic memory of a French horn’s bellow. My story has a chapter with that unrealized dream. A yearning that drifted – for a time – in restlessness. And now my soul seeps a fresh grief.

So what do I do with my French Horn nixing and other encounters with “no”?

Day after day, I reaffirm human dignity, acknowledge fallibility, and hope for alternative paths to flourishing. I fight commiseration and plead for the humility to submit to the Father who soothes our hurt with a holy poultice of grace and forgiveness. Healing comes through a faith-filled “yes” to the Sovereign who makes rightful claim on every creature and every action.

In his memoir, Life is Mostly Edges, Calvin Miller offers this: “Letting go of any drive releases the soul, and those who can’t quit struggling in an attempt to realize their dreams will be the last to realize them.” (p.265) There is a delicate tension between the consuming drive for desire and a settled trust that we are walking a gracious and satisfying path. A path that includes “yes” and “no”. French horns and clarinets.

So, as we take another step into life this day, may we embody this perspective:


“The life that intends to be wholly obedient, wholly submissive, wholly listening, is astonishing in its completeness. Its joys are ravishing, its peace profound, its humility the deepest, its power world-shaking, its love enveloping, its simplicity that of a trusting child.” (Thomas R. Kelley, A Testament of Devotion, p.28)

Perfectly Scripted

For one hour each week, everyone in the room had to acknowledge my amazingness. For sixty minutes I lived in celebrity. Elevated and set apart from every other classmate. I was a fourth-grade prodigy. Not of math or music or English, but penmanship.

I was the King of Curves. The Sultan of Script. A veritable Michelangelo of the big fat pencil.

My mastery bought me exemption from those monotonous, mind-numbing exercises of tracing-out row upon row of alphabet soup. While my buddies toiled, their hands cramping from the perplexities of capital ‘Q’ and lower case ‘b’, I sat aloof. Distanced by my special skill, I contentedly surveyed the hoard of scribblers, peacefully counting the minutes until recess.

I remember those moments with satisfaction. An appropriate pride in something I could do well. I felt special, distinct, unique. And those feelings were legitimized through peer review and an authoritative declaration from Mr. Olthoff. I had achieved success!

Now here I sit, thirty-five years later, reliving tales from fourth grade that mean…nothing? The spotlight is gone. My calligraphic skill has atrophied. And the memory of my triumph lives only in the annals of my mind. But those elementary school experiences affect me still. Through those recollected scenes I interact with what’s true and good about me.

I’d like to dwell there.

But juxtaposed against my scripting finesse is a string of disappointments and embarrassments. Frustrations and regrets. Moments of remorse and shame. And a collection of caustic words that cling to me like hot tar.

Is there sense to be made of life’s dichotomy?

In his Institutes, John Calvin said, “…we are impelled by our miseries to reflect on the Lord’s good gifts, and we cannot sincerely yearn for him until we have first begun to cease being pleased with ourselves.”* I would enjoy walking around this day, acknowledged repeatedly for my neat handwriting. To hear from random strangers, “Hey! I’ve heard you can craft a sweet lower case ‘z’!” Instead, reality is a blend of good coffee and dirty diapers. Sunset walks and orthodontics. Birthday parties and chemotherapy.

Why? Because both grace and misery lead us to majesty.

Calvin reminds us that we were made to live for more than accomplishments or accolades. Certainly, it is right to celebrate beautiful handwriting. But such things should be not an end, but touch points that propel us higher, and farther, and deeper into our desire for God. After all, what’s pleasurable about my penmanship is sourced from Who is truly pleasurable. And through enjoyment of Him and his generous gifting we learn to love Him. To trust Him. To give back to Him as we persevere through frustration and sickness, discouragement and tragedy, name-calling and lies.

I’ve never learned so much by not doing schoolwork. Don’t tell my kids…


*John Calvin, Institutes of the Christian Religion, translation by Robert White, p.1